Category Archives: In the Classroom

In the Classroom: Charlie the Pilgrim

This year I again did a study of Charlie Chaplin with my 4th graders. At first it mostly involved watching movies beginning with his earliest ones done at Keystone.  The kids again connected immediately with Charlie and couldn’t get enough of him. I was inclined to skip around a bit with some of his earlier shorts, but my students wanted to see everything!  They fell in love with him almost immediately — connecting to his playful, childlike character.  At times I would also show them parts of the Unknown Chaplin documentary that provides fascinating information on the making of many of his films.  In the spring we visited the Museum of the Moving Image where we had a great tour focusing on early movie making and then a screening of “The Immigrant” (on a very big screen) accompanied by a live pianist.  It was glorious!

And then, as we did last year for the first time, we made our own Chaplin movie. Again, it was based on our study of the Pilgrims — that story works perfectly for Chaplin. It is full of great situations that lend themselves to his sort of comedy.  As we did last year we invited those children who wanted to play Charlie to do brief screentests. We asked them to prepare something Charlie-like and filmed them. It was easy to see who had made the effort to really get to figure out Charlie’s movements and to prepare accordingly.  I created a number of scenes loosely connected to the Mayflower story, scenes that we could do in the classroom (which had bright green drapery — that all important green screen — across one wall for weeks while we filmed).  I asked them what characters they wanted to play and then grouped them into the different scenes.  Each had a different set of children playing the same characters– we used costumes to make it clear they were the same people.  After filming dress rehearsals we did the final filming. Then my colleague Cypris Megias (without whom I could not do this) edited the thing, added music and old effects and, viola, we had a movie. We premiered it for the parents at the end of school with great success.  And now here it is for your viewing pleasure. Enjoy!

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The Care and Feeding of Middle Grade Readers

Currently the ccbc-net discussion group is considering the following topic:

Rebirth of Middle Grade Fiction:  Yes, young adult literature continues to outpace middle grade in terms of numbers, but we’ve noticed lately that tucked between the seemingly endless volumes of y.a. angst, dystopias and romance (supernatural and otherwise) is a growing number of solid middle grade novels. During the first half of July, we’ll talk about middle grade fiction on CCBC-Net: inviting you to share how do you define it, what makes a great middle grade read, and some of your recent favorites.

Since I have been an elementary classroom teacher for decades now, I figured I’d weigh in on this beginning with the question of definition. Already some have suggested (go here to subscribe if you are interested in following or participating in the conversation) that these readers include early teens while others suggest those just moving into chapter books should also be considered. That is too broad for me. I see middle grade readers as those in grades 4-6, so approximately ages 9-12. These are kids who have the nuts and bolts of reading under their belts and are now able to focus more exclusively on content; kids who are working out the sort of readers they are, exploring different genres, seeing the pleasure of reading; kids who are heading we hope toward a lifetime of reading.

This being a time when children are often dealing with the complications of friendship, cliques, mean peers, and other relationship situations, these young readers often gravitate to stories involving these issues. Some of these can be quiet and interior-focused while others can be loud and very much out in the world. For some kids, contemporary stories, often school-centered, are what appeal while for others it is those set in other worlds, say a fantasy one or one set in the past, that are the attraction. Most prefer strong pacing and plots, be they about kids dealing with a bully in school, a sad family situation, or saving the world from something highly evil. Humorous books, graphic novels, and even picture books for older readers are all highly successful ways of engaging this age group.

As for the next question, what makes a great middle grade read? —- for me it is great writing. Unique and engaging plots, well-developed characters that encourage empathetic responses, and well-crafted sentences all figure into what I admire most in works of fiction for this age group. And the best of the best for me is that iconic American children’s book E. B. White’s Charlotte’s Web (#1 on Betsy Bird’s latest chapter book poll). I’ve written realms about this book so won’t go on about it here other than to say that years of rereading and teaching it has me considering it one of the most perfect children’s books ever written. What it and other great middle grade readers offer are not only great plotting, characterization, and writing, but themes that are compelling, moving, and age-appropriate. That is, kids of this age are contemplating death, the circle of life, friendship, changes, growing older, and the other ideas so beautifully considered in this wonderful book. In fact, White features some of these in his other two books for children, Stuart Little and Trumpet of the Swan, along with another important topic for this age group, family.

And then there is the final question –what are some of my recent fictional favorites?  (To see some of my 4th grade students’ recent favorites please check out this post filled with them.) Here are ten of many more.

Five from last year:

The Cheshire Cheese Cat by Carmen Agra Deedy and Randall Wright. This was a great hit when I read it aloud to my fourth graders last year. Writers often reference people, ideas, and such as Easter eggs for adult readers and indeed this book is full of clever Dickensian bon motes, but they stand alone as clever bits of writing all by themselves. Take the opening, introducing the cat hero, “He was the best of toms. He was the worst of toms.”  You don’t need to know the reference to enjoy it and my students certainly did.  A grand romp with a heart and delightful writing.

Dead End in Norvelt by Jack Gantos. I never wrote a proper review of this one (although I did suggest it as a possible Newbery winner), but after reading it aloud to my class this past year many of them included it in their summer reading suggestions. One wrote that it “…is an fantastic book for kids that are interested in adventures, laugh-out-loud, exciting books. Jack Gantos puts himself in a child character, who goes on throughout a classic plot story, including gripping chapters, amazing twists, and possibly murder? It also gives your imagination a boost, and makes you want to relate to it after.”

Inside Out and Back Again by Thanhha Lai. I tend to be wary of verse novels, but was taken in immediately when reading this powerful story of immigration based on the author’s own childhood. From the first page set in 1975 Vietnam to the last in Alabama, I was utterly engaged throughout as were my students.  It was one of several books they chose from for a unit on immigrant historical fiction and it ended up being so popular I did not have enough. Several children were so eager to read it they bought their own copies rather than selecting one of the other available books. One child was so inspired by the form that she used it when writing her own work of historical fiction.

The Grand Plan to Fix Everything by Uma Krishnaswami. I was charmed by this Bollywood-inspired tale. In a review I wrote “Young readers will delight in this upbeat and entertaining tale, identifying with Dini as she meets new friends, gets to know her new town, and solve a mystery as well. Along the way they will get a taste of life in one small part of India, complete with monkeys, movie lore, and some absolutely scrumptious-sounding curry pastries.”

Wonderstruck by Brian Selznick. In a blog review I wrote, “As  he did with the Caldecott winning The Invention of Hugo Cabret … Selznick uses a unique mix of text and images to create a singular reading experience for children. There are two separate stories here, one told entirely in illustrations and the other in words. Set in different time periods, these tales of a mysterious girl and an unhappy boy twist and twirl around each other in nature, in museums, in New York City, finally coming together in a dramatic, moving, and satisfying ending.”

Five from this year:

Deadweather and Sunrise by Geoff Rodkey.In this post I wrote that “Egg [main character] tells his own story with humor and a  likable lack of self-pity. There is adventure galore as he goes from one cliffhanger (one is literally a cliffhanger) to the next and wit as well. For it is Rodkey’s writing that made this rise for me above the others of its type — a dry sense of humor, the sort of throw-away lines Dickens does so well, great pacing, and excellent world building.”  The first in a series (something this age group loves).

Fake Mustache by Tom Angleberger. From my blog review: “So wacky this is (as another beloved Angleberger character might say) in the best way which is no easy feat. For funny is incredibly hard to pull off; what has me guffawing can just as easily leave another reader cold and vice versa. As someone who too often has been left cold by silliness I was wary when I started this one, but within pages I was completely won over.”  My students fought over the copies of this one.

Three Times Lucky by Sheila Turnage. On goodreads I wrote, “Completely and utterly charming!” while one of my students wrote that it  ”…is about Mo, a girl who loves mysteries. So when a strange detective comes to town, and an old man is murdered, she’s on the case with her friend Dale. This book is great if you adore action. Three Times Lucky is one of those books that has big parts that you know something’s going to happen but you don’t know what.”

Wonder by R. J. Palacio.  On goodreads I wrote, “I went a bit kicking and screaming into the reading of this one because I thought — yet another soppy sad story of a kid with a serious problem. Not to mention realistic school stories too often feel forced to this veteran classroom teacher. But as I read further into it I was completely taken in. This is a truly lovely story and beautifully, beautifully told. The movement between different characters’ points of view is nicely done. The children and adults all seem real as can be, not a one seemed a straw man or someone pontificating a moral. There were moments when I was brought to tears, but they were genuine moments, not a one felt overly sacharine or manipulative. Nothing, in fact, is the slightest bit manipulative in this book.”  Kids and teachers love this one for good reason.

Liar & Spy by Rebecca Stead. I wanted to stick to books already available, but this one is out in a few weeks and to my mind exemplifies the best of what a middle grade book is so I’m putting it here anyway. The main character is in 7th grade, but in my experience, 4th graders like reading about those a bit older than themselves. The writing here is spare, elegant perfection; the characters well-developed and sympathetic; the plot a fascinating mystery. More when the book is out, but trust me — this is one gorgeous middle grade read.

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In the Classroom: Why I Teach

School ended last week. Now I’m what tends to be termed a “veteran” classroom teacher. That is, I’ve been in the classroom since the mid 1970s. Many years. Decades in fact. Happily, unlike many of my generation, I’m not the slightest bit burnt out. I still love teaching. I love classroom teaching. I love spending a year with a group of children, helping them grow and learn, inspiring them and having them inspire me.

This is no doubt partly because I teach at a private school not under the yoke of government mandates. A place where I can be creative and not be oppressed by tests, standards, and other outside demands. Ironically, I had every intention of teaching in public schools at the start of my career, having attended them myself, but there were no jobs available. (Instead there was that iconic New York Post headline, “Ford to City: Drop Dead“)  And so I grabbed a position at a failing private school, moved to a better one for a few years, and eventually landed at where I’ve been for almost thirty years now. I have to wonder where I’d be if I’d been in public schools — perhaps not in the classroom any more, maybe doing something else, maybe thinking retirement. Kudos to those who do continue the good fight after decades in public schools — from what I know I’m not sure I could do it.

This school year was a challenging one for me for non-school reasons and so I wondered if I’d been as successful with my class as I’d liked. Happily, the comments and notes  that I received last week reassured me that I had nothing to worry about.

But the best thing that happened was at graduation. We are a K-12 private school and so faculty from all levels are encouraged to attend. Some years families and graduates are touched to see me and other years they seem to have forgotten me. I mean, 4th grade is a long way from 12th after all. This year it was the former. So many families and kids reminiscing about their time with me. One in particular. This was a young person who had been a major presence that year and thereafter for others as well.  Eccentric and intense, I’d adored him.  And as he made his way through the school I would see him occasionally and hear about him through others. Last week he was in the front row in graduation facing me and I wondered what he was thinking. Afterwards I wandered about trying to find my old students and their families. I’d given up on finding this student and was about to leave when suddenly there he was, right in front of me. “I have been looking everywhere for you!” he declared. And with that we hugged and talked about his time in my classroom so many years ago. We talked about things he’d love then, still loved, and was going ahead to learn more about in college. It was wonderful. Clearly I’d had something to do with his learning; I was remembered as a significant teacher; I had done well with him. This, I thought, is why I teach.

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Natasha Trethewey in My Classroom

Natasha Trethewey was my school’s artist-in-residence in 2007 and so I am absolutely delighted that she has just been named the 19th US Poet Laureate. I can’t imagine a better choice. Congratulations, Natasha!

Here’s a slightly updated version of what I wrote about her work with my students that year:

On Wednesday my class had a truly magical hour with poet Natasha Trethewey who is at our school this year as a visiting artist. Aware of Natasha’s interest in history and primary source documents, I asked her if she would be interested in building on my students’ work with Sarah Margru Kinson, a child on the Amistad. She was.

And so Natasha came and, after leading the class in a close reading of several of Elizabeth Alexander’s Amistad poems from her collection American Sublime, guided them into creating a group poem of their own. After she left, the inspired children created individual Amistad poems and then presented them as collages.  Natasha returned to hear the children present the poems.

Here’s the poem we wrote together:

Margru

What I remember of home is this:

green – green mangoes, green snakes, green bananas:
brown – my mother, my father, myself, the tree
trunks, the brown earth, the color of my language,
Mende,
the only language I had
to describe these things.

Often I think of
how I came to be here:

my father pawning me, waving goodbye,
his face crumpled, tightened, looking
away from me.

I felt my captor’s white, cold hand
tighten around my wrist as if
he were a solid ghost taking me away.

Now I wish to see again
the green rice fields,
my father’s brown face,
clouds in the sky —
the only white things,

to hear someone speaking my language,
someone saying

Margru.

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In the Classroom: Making Old Movie Associations

This week we will be filming our Charlie Chaplin parody (did this for the first time last year) after a year-long study and also finish watching Chaplin’s final Little Tramp film, “Modern Times.”  As we started it last week I was delighted when the kids immediately referenced “I Love Lucy” because it means they are watching other older videos.  For those who don’t know them or just want to see them again, here are the two sequences:

Charlie on the assembly line in Modern Times.

Lucy and Ethel on the assembly line in I Love Lucy.

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Book Trailer Project: The Finished Trailers

This year we read Alice’s Adventures in Wonderland then we decided… that we were going to make a lovely, funny, amusing, interesting, and awesome Alice in Wonderland book trailer.

The point of the trailer was to tell people that Alice in Wonderland isn’t a scary book written for older kids. It’s a clever and funny story written for a nine year old girl. A great book for all ages.

From reading the book to writing this post, I have been thinking to myself, “This is the best project yet this year.”

The final step was to publish the trailers and so the children put them on their individual blogs along with a written overview of the project. Since these are private we also put them on a public blog and so you are encouraged to head over there where all the trailers are available along with excerpts from the children’s blog posts (a few of which are above). And for those of you who want just a taste, here’s a montage:

Next: My reflections on the project

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Revisiting: Engaging Informational Picture Books

I’ve been very interested of late in the attention being paid to the Common Core State Standards recommendation for more nonfiction in classrooms. There are many ways to do this, one of them being a greater emphasis on nonfiction picture books. Here are a few older books I’ve much admired for their spare and elegant texts, compelling voices, original design, fresh ways of presenting information, superb research, and engaging illustrations. They are ideal for classroom teachers looking for great nonfiction to add to their libraries and teaching.  Please add your own suggestions in the comments!


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In the Classroom: The Problem with Bullies

Bullying. It is an age-old issue that has become high on our radar these days what with legislation requiring schools to institute bullying curricula, dreadful  stories of young people killing themselves because of being bullied, the movie Bully, and so forth. One that is much in the media, often in ways that I find problematic.

And so I was mighty pleased to see Marjorie Ingall‘s article, “How to Stop a Bully” in which she considers the new movie, the current cultural notions regarding bullying, what doesn’t work to address it, and what does.  I loved her bluntness, that the movie is  ”… torture porn….You’d never know from watching the film that experts agree that physical bullying is by far the least common form of bullying.”  That the current rhetoric around this topic  ”…feels like just another part of this zeitgeist-y trend—a somber, self-important, self-promoting tone standing in for real commitment to the difficult work of edification.” And that”Pledges and zero-tolerance policies, wherein we ban the bully from our midst like a goat sent into the wilderness, sound great but do more harm than good. They let us pass the buck without helping the bully change.”  Yes, yes, and yes!  And most of all yes for this,  the money quote,  from clinical psychologist Rona Novick:

“We struggle in this country to get social and emotional learning the same attention, time, and effort as academics,” Novick said. “And there’s social exclusion and bullying among adults, so to expect that kids will be better at this than grown-ups are is downright foolish.”

That is because I feel that we adults need to look honestly at ourselves and how we model the very behaviors we are trying to stop among children.  In years past whenever I did training to address inequities in my classroom I was first required to consider my own biases and behaviors. In considering race (in my Peace Corps training and later in this country) I was asked to think about my own view of race, to tease out my own stereotypic and even possibly racist notions, my own stance of white privilege.  Similarly when looking at gender in the classroom I have been asked to examine my own beliefs carefully to see how they impact on my classroom practice.  I wish we’d do that more in terms of bullying — consider how we model it in obvious and subtle ways.  That said, it is an elephant in the room — how do you even begin to look at this?  I see adult bullies everywhere — what someone else might consider strong and necessary strength often looks closer to bullying to me.  What is tough love and what is just tough meanness?  Tough stuff indeed.

Thank you, Marjorie Ingall, for so articulately and thoughtfully addressing a very difficult topic.

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Book Trailer Project: Production

I purposely have waited to mention the book being featured in this trailer project as I didn’t want to put any of you off.  However, at this point I will reveal that it is (unsurprising to those who know me) Alice’s Adventures in Wonderland.  As I have done for decades I read the annotated version aloud while my students followed along in my large collection of illustrated editions. They loved the different approaches to the art, the puns, the characters, dancing a quadrille, playing indoor croquet, and everything else we do as we read the book. Because I know how much fun the book is for them I challenged them to communicate that in a book trailer, especially to those who are dubious that it is still a book for children.

My wonderful colleague and tech specialist Ellen Nickles who has embraced the project did a lesson taking apart my model trailer to show different ways it could be created. We then asked the children to consider the mood they wanted to impart in their trailers and then to come up with some text, quotes, and images to use in it.  They did a great job with this, getting the sense of the book in their text and choices of quotes from the book. The only problem for some was having too many quotes or just too much text. When this was pointed out they eagerly return to rethink this.  As for the illustrations they could create their own or use John Tenniel’s as they are out of copyright.

After Ellen did a fabulous Imovie demo, they were off creating their trailer. I was amazed at how well they did this.  Not only did they require minimal support, but the room was incredibly quiet — they were completely focused and engaged. Admittedly, they have been working on various tech projects all year and most of them had used Imovie before so they quickly adapted to the specific demands of this project tech-wise. Still, I think it was their complete engagement in the project that was what mattered more than their tech ability.

Students drafted versions of their trailers and then I looked them over with them and gave them suggestions (just as I would a piece of writing).  They did, as was to be expected, get a bit carried away with effects, often putting way too many for such a short piece of video.  But once I pointed this out to them, they were very open to bringing them down into a reasonable and less distracting number.  Lastly, we introduced music.  Ellen made several versions of my trailer with different kinds of music (from this royalty-free music site)  so the children could easily see why some did not fit.  With remarkable ease they selected their own and added it to their own trailers. Interestingly, I had expected them to go wild with this and have to suggest better choices, but that wasn’t the case at all. They made excellent choices, every single one of them!

Next: The finished trailers.

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Book Trailer Project: Introducing the Project

To prepare for this first session I had found several book trailers that I felt would be good models for my students.  Like the the ones they would do these relied on images rather than live action, had only text to read and no voice overs, and were all books familiar to them.

I began with this one for Jack Gantos’ Dead End in Norvelt, a book I was reading aloud to them.

Student observations:

  • Not very long, but tells the story without giving it away.
  • Quotes from people about the books.
  • Make people want to read it.
  • Make it look intriguing.
  • Music gives a tone.
  • Short, but not complete sentences.

I followed this with a student-created trailer for Brian Selznick’s The Invention of Hugo Cabret (familiar to them all because of the recent movie).

Student observations:

  • Music was good for the book.
  • Very mysterious titles make you want to read.
  • Used art from the book to let you know a bit of what it is about.
  • Art matched the titles.
  • Ken Burns effect used well.
  • Maintained the black/white color of the book.
  • Questions about the book: What does it all mean?

Next came a video for Cat Valente’s The Girl Who Circumnavigated Fairyland. Cat had visited us recently and the children knew we were soon to begin a unit reading the book.

Student observations:

  • Very strong music. Lyrics are about the story. Mysterious.
  • Tone is gentle, but story is not (ironic).
  • Had a slightly more adult feel even though the audience is kids.
  • Object that was in every image — the key.
  • Some images moved (e..g the clouds).
  • Fairyland is indicated by music and images.

Next: Presenting to them my process in creating a book trailer and then setting them up to begin preparing for their own.

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