Many years ago I first heard Walter Dean Myers speak of his involvement with incarcerated teens. Later, when I found myself with an abundance of YA ARCs, I was pleased to hear that they were much needed for incarcerated teens and looked for a way to get them to them. After some struggles figuring this out (living in NYC I’m carless so getting lots of books places isn’t so easy) I discovered that Karlan Sick, who lives around the corner from me, is now chair of the board for Literacy for Incarcerated Teens. Karlan told me to bring the books to her and she’d get them to the teens. And so for the last few years, I periodically load up my shopping cart with finished galleys and take them to her building. For a time I was told they could only take galleys and paperbacks, but more recently I’ve been able to donate hardcovers as well. It is fabulous program that I associate with Walter as he was so passionate about incarcerated teens and so I was delighted to see the SLJ feature, “Literacy for Incarcerated Teens” and urge you to read it to learn more about this wonderful program.
Category Archives: Other
I was really excited to learn of Toon Books‘ new offerings for middle grade readers, Toon Graphics and then to meet recently with founder, Françoise Mouly. Her enthusiasm for the power of comics for school-aged readers is contagious. What I have always liked about Toon Books is their distinctively European sensibility, understandable as there is a proud and venerable comic tradition on that continent. This same feeling comes through in the first offerings of their middle grade imprint:
- Cast Away on the Letter A: absolutely zany fun.
- Theseus and the Minotaur: for those kids who just can’t get enough of those Greek myths.
- Hansel and Gretel a dark telling by Neil Gaiman — yeah him — with Lorenzo Mattotti’s ominous and beautiful art.
- The Secret of the Stone Frog: this one has been out a while, a really dreamy unique work.
To learn more about Toon Graphics and how school kids are responding to the offerings go read the New York Times profile, “Comic Books Even Teachers Can Love” (and just ignore that headline and the old-fashioned notion that we teachers think comics and graphic novels are very bad things).
While Disney is not my preferred choice for a Broadway show, the enthusiastic New York Times review and what I saw on the Tonys, peaked my interest in seeing the Broadway production of Aladdin, the Musical. And so yesterday, as a reward for completing a big writing project before school starts, I went to see it and was not disappointed; it was loads of fun. And now rereading the Times review, I’m not surprised to see that the director was also responsible for The Book of Mormon musical. Both have an old-fashioned feel and are loving appreciations of the musical theater genre with production numbers that are reminders of old favorites, while being entertaining all by themselves.
And then there is James Monroe Iglehart who rightly won a Tony for his terrific performance as Genie. At first his performance reminded me somewhat painfully of Robin William’s creation of the character in the movie, but eventually Inglehart’s terrific singing and dancing made the role all his own. To honor both men here are their performances of the showstopper, “Friend Like Me” and then one more recent video of Inglehart and the Broadway cast leading a tribute to Williams.
I was a huge fan of Susanna Clarke’s Jonathan Strange & Mr. Norell and have been keeping an eye out on the progress of the forthcoming BBC seven-episode series. I found this article about the filming with some images, one of which is below. There’s also a facebook page featuring more images and stuff from the series filming. Evidently the filming is done and they are into post-production.
Bertie Carvel plays Jonathan Strange and Eddie Marsan plays Mr. Norrell.
I love fairy tale reworkings. At the same time their popularity of late has resulted in a lot of mediocrity and so when I come across something new I’m both excited and wary. Is it going to be a goofy-movie-Shrek-imitating-like thing or more in the vein of Michael Buckley’s Fairy Tale Detectives, Christopher Healy’s Hero’s Guides, or Adam Gidwitz’s Grimm series? And if YA dark is it going to be a lame bodice-ripper or something with heft, like Tom McNeal’s Far Far Away? And so seeing a description of Katherine Coville’s debut novel The Cottage in the Woods on Edelweiss, I requested it on a whim and began reading it with very low expectations. And so what a lovely surprise when it turned out to be completely engrossing, a book I read steadily until I was done. In other words, reader, I liked it very much.
The story is a unique melding of a Regency Romance/Victorian Gothic set within a fairy tale world. Our heroine and narrator is Ursula Brown, a very proper young bear who has come to the Cottage in the Woods, the wealthy Vaughn family’s estate near Bremen Town, as their young boy’s governess. The three Vaughn bears live an elegant and refined life and Ursula slips into it without much difficulty, tolerating Mr. Vaughn’s stern admonitions, appreciating Mrs. Vaughn’s kind gestures, and falling very much in love with her sweet young charge, Teddy. But life in the area is not easy. The Enchanted — those animals who talk, dress, and act as humans do — are struggling with envy, prejudice, racial hostility, and out-and-out vigilantism from some of their human neighbors.
The publisher indicates that this is a reworking of “Goldilocks and the Three Bears.” It is indeed, but I don’t wish to give away just how. I will say that I found it an enormously clever rethinking of that particular story, very much in keeping with the literary tradition Coville is working in, that of the Victorian novel. I’ve been reading and listening to a lot of them these days and so I was very impressed with how well Coville used those tropes in her story. Ursula is very introspective, the various Enchanteds in her world are as proper and polite as anyone in an Austen, Bronte, Eliot, or Trollope novel. There is plenty of drama here, but not the swashbuckling sort of some of the other fairy tale workings. And while somber on occasion it isn’t as dark as some of the YA ones around.
There are so many clever fairy tale/nursery rhyme touches that also allude to the Victorian novel tradtion. For instance, Teddy’s nurse is an illiterate tippling badger who is quite jealous of our heroine and an amusing contrast to the cozy cute ones of Potter and others. Best of all is the Goldilock’s plot thread — it is a brilliant rethinking of the story within a classic Victorian Gothic setting. And I love the representation of the doctor who comes to examine her at one point with his Freud-like Viennese accent.
So keep an eye out for this one. I can’t wait to see what others make of it.
Just came across this remarkable movie featuring Ludwig Bemelman’s Madeleine as well as others from James Thurber, Crocket Johnson, and Eve Titus.