Biometric Daemons

Pantalaimon, avert your eyes.

According to this article, a couple of professors have come up with a new device “inspired by the Philip Pullman fantasy novels – recently turned into the hit film The Golden Compass – which include animal daemons which are physical representations of character’s souls.”  They have in mind “… biometric daemons [that] could carry people’s personal details and replace pin numbers and passwords for everyday transactions, reacting to different levels of risk and becoming stressed and eventually dying if they are apart from their owner.”

According to one of the professors, Dr. Clark,  “The idea of the daemon is that it is a living credit card,” he said. “It would recognise it is with you, and if you put it in your pocket, it can recognise your walk and your voice.”

And would it also know what is in my heart?

Want a Cuddly Iorek?

Look no further. Walmark has packaged this little cutie with The Golden Compass DVD released today. Together for just $19.96!

What’s that you say? Iorek isn’t suppose to be cute? Or cuddly?

Who cares; it is a Beanie Baby, a collectible!

Waiting for (More) Lyra: ‘Compass’ spins foreign frenzy

Seems as if my wishful dreaming for film adaptations of The Subtle Knife and The Amber Spyglass is not totally hopeless. Here are some heartening excerpts from ‘Compass’ spins foreign frenzy” in yesterday’s Variety.

After its strong start in Japan last week, “The Golden Compass” is on course to make box office history as the first film to gross $300 million in foreign while failing to reach $100 million in North America.

As producer Deborah Forte points out, with a global gross heading for $375 million-$400 million and an Oscar to its name, “Golden Compass” counts as a success by most yardsticks — just not necessarily for New Line.

With a downsized New Line set to become Warner label, the intriguing question is now whether Warner toppers will see past the domestic flop and greenlight the second and third installments of Philip Pullman’s “His Dark Materials” trilogy — “The Subtle Knife” and “The Amber Spyglass” — based on those boffo foreign grosses.

Indeed, Warner, the studio behind “Harry Potter,” may turn out to be a better home for the Pullman franchise than New Line ever was.

Clearly, “Golden Compass” was not as unmarketable as the U.S. figures would suggest. “If the movie really wasn’t up to snuff, it wouldn’t have done $300 million,” Forte says.

Excuses that fantasy pics often do better in foreign, or that the film’s perceived anti-God message was a more powerful negative in the U.S., have a certain truth, but can’t fully explain the unprecedented gulf.

It’s hard to avoid the conclusion that the foreign indies such as Entertainment in the U.K., Metropolitan in France, Tripictures in Spain, 01 in Italy and Gaga in Japan, not to mention Warner in Germany, simply did a better job of understanding and positioning “Golden Compass” as a family film, and heading off the potential problems in advance, than New Line’s domestic team did.

Forte notes, “We probably underperformed in the U.S., and we performed according to expectations outside the U.S. Why? It’s so hard to tell. People say fantasy does much better overseas, and that the book was much better known, but I’m not sure either is true. The book was really only known in the U.K. and Australia. Most of the foreign distributors built awareness from scratch.”

It’s hard to imagine the folks at Warner Intl. rubbing their hands at the prospect of more of the same from a downsized New Line. But they might welcome “The Subtle Knife,” the second book in Pullman’s trilogy, for which Hossein Amini has already written a script, and the final installment “The Amber Spyglass.”

New Line’s foreign distribs would certainly snap up the sequels, if offered. If Warner gives the greenlight, the overseas indies won’t get a look-in, but should Warner put the rest of the trilogy into turnaround, there’s a ready-made independent market for the pics.

One way or another, Forte won’t give up the fight. “I will make ‘The Subtle Knife’ and ‘The Amber Spyglass,’” she vows. “I believe there are enough people who see what a viable and successful franchise we have.”

Waiting for (More)Lyra: American and the Rest of the World

Cultural insights from the box office – Opinion – smh.com.au
■ There’s a case for making part two of The Golden Compass. Its budget was $230 million. In America it made $90 million (most of its accents are British and it was labelled anti-religious). In the rest of the world it was a hit, making $330 million. It’s the world’s 75th biggest moneymaker of all time, well ahead of Passion Of The Christ (90). The Golden Compass ended on a cliffhanger. The plot can’t be resolved without American money.

Can Hollywood rise above xenophobia and lift the world off the edge?

The Golden Compass Movie: The Director Defends

From mediabistro.com: FishbowlLA

Director Chris Weitz writes the Atlantic’s editors a stern letter regarding Hanna Rosin’s piece about The Golden Compass. He calls it a hatchet job, and complains that she accused him of “selling out” author Philip Pullman’s books. Rosin replies, claiming that she was just trying to explain how hard it was to make a profitable movie, but not offend the religious types who Pullman distains.

The Golden Compass Movie: Philip Pullman on ‘Story’ versus ‘literature’

Philip Pullman speaks up for the narrator and argues that ‘literature’ is what a film director must leave out when translating a ’story’ into a movie.‘

Story’ versus ‘literature’ | Book club | Guardian Unlimited Books

John Mulland Talks with Philip Pullman About His Dark Materials

Philip Pullman talks with John Mullan of the Guardian Book Club about writing, reading, narrators, Milton, daemons, Mrs. Coulter, angels’ taste in food, among many other things (and gives a very intriguing little hint about on extra bit in his forthcoming book Once Upon a Time in the North).

Guardian Unlimited: Arts blog – books: Guardian book club podcast: Philip Pullman

See also:

John Mullan on “Borrowing from Paradise Lost” and “Other Worlds.”

The Golden Compass Movie: A Gleam of Hope

New Line Cinema’s “The Golden Compass” Swings Past $100 Million Mark at International Box Office

Fingers crossed (for the next two movies).

The Golden Compass Movie: Pullman on Storytelling

Whatever stories are made of, words aren’t fundamental to it. Something else is. And what I think is fundamental to the narrative process is events — stories are made of events….Whether we read it in a children’s book or hear it being told to us in a class, it doesn’t matter. It’s the story itself, the events themselves that have that power to affect us.

From a truly wonderful interview by James Mustich with Philip Pullman (and one he especially recommends).

Waiting for Lyra: The Truth Will Out

Great news this (although not for Bill Donohue):

More than ten years after its original publication, “The Golden Compass” (Alfred A. Knopf Books for Young Readers, an imprint of Random House Children’s Books) has hit USA Today’s Top 50 Best Sellers list, having seen a 500% increase in sales over the last three months.

The Golden Compass’ Popularity Surges in Weeks Leading up to the New Line Cinema… | Reuters