Someone on one of my lists just asked for suggestions for a beginning-of-the-year book to read-aloud to her new class and, of course, we all chimed in with our opinions. Since many of you are already back in school and some about to start, I hope you will tell us what you’ve chosen and why. I’m still considering what I’m going to start with.
Last year my first book was The Invention of Hugo Cabret because I was doing a year-long study of silent movies (focusing on Charlie Chaplin) and it turned out to be a great choice (which surprised me as I wasn’t sure about how the image sections would work, but the did). This year I’m still considering my options. Maybe I’ll go for Frank Cotrell Boyce’s Cosmic which my students have always adored. Both are gender-neutral and aren’t particularly scary. (For more recommendations, I’ve a bunch of posts about books that worked well for me here. )
My preference is to start with a book that is brand new so the kids are unlikely to know it and so right now I’m leaning toward Carmen Agra Deedy and Randall Wright’s The Cheshire Cat Cheese. I’m a hard-sell on animal stories, but was completely charmed by this one and since we will start the year with a close look at Charlotte’s Web I’m thinking this may be just the ticket for a first read-aloud.
So enough about my choices, what are yours?
…its teachers are trusted to do whatever it takes to turn young lives around.
That’s from Smithsonian Magazine’s “Why Are Finland’s Schools Successful?” There’s more too; the whole article is wonderful if sad in the sense that Finland feels like in a country in another universe from ours.
I’m a fantasy fan and while I may not like everything out there I’m never going to complain that there is too much of it. My great thanks to Ms. Rowling for changing the US publishing landscape in that regard — BHP there was mighty little — many of my fellow gatekeepers preferred realistic fiction and so that is what mostly got published. And then there were others who had problems because it was against their religion (really). So, first of all, hurray for the popularity of fantasy! May it never wane.
Since I love the genre I read a lot of fantasy books and have had in mind a few posts on some recently read books, but they are complicated (thematic rather than straight reviews) and I’ve yet to complete them. Unfortunately, what with school looming and some other pressing projects to get done first, I fear that it may be a while till they see the light of day (or light of the Internet? Whatever). In the meantime, I figured I’d at least provide you with some recently published and forthcoming fantasy titles that I’ve read and feel are worth seeking out for yourselves. These are titles that my students and I liked, a few I’m especially mad for, others my students are mad for, and a few we are all equally mad for. Most would probably work for an upper-middle-grade-fantasy-buff, but a few are very definitely YA. That all said, here you are, in no particular order:
Reading this Roger Moorhouse piece on the eighteenth century German feral child, Peter of Hanover, reminded me of Victor of Aveyron who showed up a few decades later in France and became a tabla rasa for thinkers of the period as they contemplated what it meant to be human. And then I started thinking about literary feral children and, especially, the mad crushes I had on two of them. Yes, I confess that as a young reader Mowgli and Peter Pan made my heart race. I found those two feral boys to be brave, headstrong, and delightfully free, free, free. But as I tried to think of more recent feral children in children’s fiction I came up short. A search came up with this broad list which included Karen Hesse’s The Music of Dolphins and Jane Yolen’s Passenger, but that seemed to be it. Can you think of others?
The films that have impressed me a very great deal are the ones I discuss in the last chapter of my book: Jan Svankmajer’s “Little Otik”; “Pan’s Labyrinth” is also absolutely brilliant; and Tarsem Singh’s “The Fall” — a remarkable, colorful, unbelievable fairy-tale film. All of these, by the way, are live action. [I also like] “How to Train Your Dragon,” which is a lovely animated fairy tale. Totally — not anti-Disney — but not like the Disney animated fairy-tale forms.
From this very interesting interview with fairy tale maven Jack Zipes. (via surlalune)
Last year, after finishing Steig Larsson’s The Girl Who Kicked the Hornet’s Nest I wondered about Camilla Salander, Lisbeth’s twin. Yesterday, thanks to commenter destiny, I went searching and came across this in the Guardian’s report on Larrson’s friend Baksi’s recent talk.
The fourth novel by Stieg Larsson, author of the 30m-selling Millennium Trilogy, is 70% complete, strongly features Camilla Salander, the twin of the series’ protaganist Lisbeth, and is set “between Ireland, Sweden and the US”, according to Larsson’s former colleague Kurdo Baksi.
However, the article goes on to point out that Larrson’s partner, Eva Gabrielsson, who has the disputed draft, claims it is far less complete.
I live in a city and haven’t driven in a million years so I only began listening to books when I figured out that I could do so while running. While slow of foot I’m a speedy reader and have discovered that certain books work better than others listening-wise. I think one reason is that I can’t skim, can’t dash through it as I usually do when reading, and so if the book doesn’t grab me at the sentence level I drift and stop paying attention. Another important element is the narrator and I now understand when people talk with avid enthusiasm about individuals they like.Finally, a well-realized setting and a tantalizing plot (mysteries seem especially appealing in this form) also work well for me. That said, here are a few adult titles that I’ve found especially pleasurable. Hope you add your own recommendations in the comments.
- Charles Portis’s True Grit. Excellent. Donna Tartt’s narration and essay (written originally as an introduction to a 2005 edition) are also both terrific. Thanks to the Coen brothers and the various recent articles on Portis for drawing my attention to the book. I think because I was so NOT a John Wayne fan back when the earlier movie came out nor, especially, a Western fan, I somehow missed this book completely.
- John Kennedy Toole’s A Confederacy of Dunces. I read this many years ago and decided to revisit it after being in New Orleans in June, this time by listening to it. It was SUPERB. In fact, I think I appreciated the sentence level writing even more today than I did years ago. The way Toole uses language is outstanding. And for me, Ignatius J. Reilly, is one of the all-time great characters in literature. I can only imagine what he’d have to say about such IM speech as OMG.
- Charles Dickens’ A Tale of Two Cities. I’m a huge Dickens fan, but had avoided this title because I didn’t think I wanted to read about the French Revolution. Boy, was I wrong. I was sobbing so much at “It is a far better thing I do…” part that I had to stop running and sit on a bench till it was over. (I’ve listened to a bunch of Dickens’ titles and they are pretty much always excellent. The only one I’ve taken a break from and I do plan to finish it eventually is Dombey and Son.)
- Wilkie Collins’ The Moonstone. Surprisingly wonderful. After listening to it I wrote: “I believe it is the ur-country-house-British-mystery. I loved the different narrators, I loved the plotting, the settings, the characters — tremendous all around.” I also recommend for listening The Woman in White.
- Graham Moore’s The Sherlockian. Since I’m part of a literary sub-culture (Carrollians) that overlaps those who love Holmes, I totally got this book. Moore captures the intensity of literary society types very well and generally created an entertaining story. Went on to listen to a bunch of the original stories, including A Study in Scarlet (which I inadvertently began with the second part and was mighty puzzled about all the Mormon stuff until I figured out my error).