Deborah Wiles’ Sixties Trilogy is set in the time of hers (and my) youth. The first book, Countdown, is a vivid, compelling, and moving view of the Cuban Missile Crisis seen through the eyes of eleven-year-old Franny and was, I thought, splendid causing me to wait on tenterhooks for the next one. When I saw that the second book was coming out this year I was both elated and nervous. Could Wiles pull it off again?
Here’s my tweet after reading it:
Monica Edinger @medinger I spent most of the weekend reading @deborahwiles‘s Revolution and it is fabulous.
So, yes, Wiles pulled it off again. In spades.
Revolution is set during the civil rights movement’s Freedom Summer of 1964. Two smart young people are at the center of the novel, observing and wondering and questioning the vicious racism and segregation that has ruled their Mississippi community for so long. We meet our protagonist, white twelve-year-old Sunny as she and her slightly older step-brother take an illicit nighttime dip in the municipal pool. Relishing the cool water and thrill of doing something slightly dangerous, Sunny is mulling over the pleasures of the forthcoming lazy summer when she has an encounter that jerks her out of reverie and onto a path of profound knowledge and change. It is a path that Raymond also travels, a boy all too aware of what it means to be young and black in 1964 Greenwood, and who wants to do something about it.
Greenwood has been filled with “invaders” as Sunny calls them, young civil rights activists who have come to do voter registration, set up Freedom Schools, and otherwise support local blacks in gaining their rights. Wiles does a superb job weaving in the many threads of life for white and black Greenwood citizens at this time, powerfully and, sometimes brutally, evoking real life events. She also brings in wider pieces of the time, the Vietnam War, the Beatles, and Willie Mays among others.
Sunny and Raymond are beautifully drawn — highly believable young people of their time and place. There isn’t a false note.Those around them are nuanced too, from the young northern civil rights workers to those in both of the young people’s families who are responding in different believable ways to the changing events. And Wiles excelles at sensory detail, giving readers the sounds of the young people’s different neighborhoods, the feeling of summer heat, those fans and the occasional air conditioner, the shiny floors of the courthouse, and much more. Using present tense, she creates scenes of drama and action and others that are quiet and pensive, all moving and unforgettable.
Then there is the nonfiction material that, as in Countdown, is interspersed throughout. Photos, quotes, excerpts from documents and news articles, song lyrics, and more are evocatively presented, deepening and making even more real what is going on around Sunny and Raymond. The back matter offers more along with a solid bibliography. But for those who want to actually hear and see more I encourage them to explore Wiles’ Pinterest page.
Revolution is one spectacular novel. I highly, highly recommend it.