If I can collect a little assemblage of items that put me in a mood of the book, then I find some place in my study where I can put them out. For “Egg and Spoon,” I had some wonderful things. I had a 1940’s era paper mache Baba Yaga’s cottage. It’s only standing on one chicken’s foot; it got broken somewhere along the way. I have a number of matryoshkas I’ve collected over the years. I have a number of painted eggs I’ve painted myself starting 40 years ago; I used to paint one every Easter. Some of them have Russian themes. I have little British foot soldiers. I’ll arrange them on a little altar to the muse. I don’t play with them — I don’t march them around the room and sing little songs — but the fact that they’re there is a clue to myself that the studio is open.
via Karen Kosko