At my godchild’s wedding this weekend guests received highly original gifts, haikus. You went to one of the two haiku writers, told them something about yourself, they thought for a moment, and then typed one out.
Brian Selznick is one of the great artists of our time. In what is now a trilogy (The Invention of Hugo Cabret, Wonderstruck, and now The Marvels) he has created a unique storytelling style, one that blends illustration and text in an engrossingly original way. It is an aesthetic and emotive experience not like that of a graphic novel, but one closer to a cinematic viewing experience or a theatrical one; the three books are rich with scenes of powerful beauty created with paper, page turns, close-ups, and more. Upon completing The Marvels, I sat still, feeling as I did after a remarkable theatrical experience, say a dramatic opera, a visually stunning film, or a striking play, in awe of what I’d just experienced. Hours later it lingers with me, a gorgeous work of art.
The Marvels begins in the 18th century with images, hundreds of pages of them relating a mysterious story of a theatrical family over several generations. Ships and theaters, riggings and scenery, weather and atmosphere, adventure and drama, light and dark, youth and age, convention and strangeness — it is all there. Midway the images end and it is 1990 with a story now told exclusively in words. We meet Joseph who has run away from boarding school and is now in London desperately seeking out the one address he knows: 18 Folgate Street where his uncle lives, someone he knows nothing about and has never met. A fortunate encounter with a child his own age finally brings him to his relative who is not at all happy that he has come. There are mysteries galore — that of Joseph’s uncle’s remarkable house, of Joseph’s friend from school who has disappeared, of his and his uncle’s family, and of another one called the Marvels. By the end, the first two parts of the book are made whole in a brief, but powerful and brave conclusion, told again in drawings, set in the present day.
The book was inspired by a remarkable man, Dennis Severs, his house in London at 18 Folgate Street, and his friend David Milne. My own familiarity with their story, visit to the house a few years ago, and experiences during the period of the second part of the novel made my reading of The Marvels both aesthetically powerful and personally significant. As Joseph’s story and that of his uncle’s and his house began to unfold I started to recognize aspects of it and had a premonition as to where the story was going, causing me to remember others, artists I knew and cared for so much and whose lives were all too brief. And so I know that my reading was quite likely different from that of someone without my background, especially child readers.
Thank you, Brian, for The Marvels, for creating this work of art that remembers, looks behind and ahead, that celebrates the power of love, of art, of books, and the future with extraordinary art, grace, and elegance.
Also at the Huffington Post.
My goodness, does SLJ put on a fabulous one-day conference. Congrats to all, but especially Luann Toth who leads the planning and organization of this wonderful event. You can see the full schedule here. I was sitting next to uber-blogger Betsy Bird who was doing a sort of live blogging thing — that is, she was writing her blog post live as the different panels and speakers were occurring. Count me as very impressed. I did tweet a bit, but not that much. A few brief reactions:
The first speaker was keynoter Brian Selznick who was his usual awesome self. He directed his remarks to librarians and both amused and moved us with his description of receiving, after the publication of The Houdini Box (I first got to know Brian when he came to our school for that book) an envelope full of child-made award stickers. In following up, he discovered he’d won a Lemmie Award (I believe that is the spelling), an award concocted by a librarian in Iowa. So his very first award. He followed up that first win with three more. He then touched upon his forthcoming The Marvels*, mentioning that it was inspired by Dennis Severs’ House, a place I too find one of the most magical in the world. (See my blog post about it here.)
Next came a panel on nature featuring Paul Fleischman, Wendell Minor, Louis Sachar, April Pulley Sayre, and Anita Silvey (in her iconic hat). It was ably moderated by Julie Roach. Some tweets from me:
Louis Sachar wanted to write scary B Movie a la The Blob. Having read Fuzzy Mud, I’d say he succeeded.
A brief side note: I’ve been a longtime fan of Patrick Ness (first for his writing and now for his tweeting too) and was invited to blurb his forthcoming The Rest of Us Just Live Here — yes, I liked it very much. Now I can’t recall just what I said to him, thought it was something about liking the books of his that I’ve read (as I’ve not read them all), and so the clever guy signed my book thus. (Patrick — I promise to try to read them all eventually!)
After another round of publisher pitches there was the final panel ” Nonfiction Goes Graphic” with Don Brown, Claudia Dávila, Nathan, Hale, Maggie Thrash, and Maris Wicks moderated by the enthusiastic Jesse Karp. It was fascinating and I was also glad that at other points of the day I had a chance to speak with Don Brown and Nathan Hale as I’ve long been a big fan of their work. During the panel, I especially appreciated Don Brown’s strongly voiced opinions on the subjectivity of all history — that even a photo that may appear to be without opinion does have it just in the way it is present. Excellent. And Nathan, who also focuses on history (my great love too) had some fabulous things to say as well. The others were great too, just am not yet familiar with their work — which will change soon I hope!
The day concluded with the announcement of the Boston Glob Horn Book awards. I was especially pleased with the fiction winner, Katherine Rundell’s Cartwheeling in Thunderstorms, a book I’d really liked and was a bit overlooked until now.
*I went that evening to a mesmerizing presentation of The Marvels. It was held in a gorgeous old theater and was spectacular. We all went home with ARCs of the book and a very cool additional thing in a velvet case. I’ve already read most of it and it is terrific. Thank you, Scholastic, for an awesome evening.
And then there is a very exciting-looking event to celebrate Brian Selznick’s forthcoming The Marvels, at the Hudson Theater no less. Those who have been fortunate enough to see one of Brian’s presentations know how exciting they are.
So a very good day in the works. Thanks in advance to all who are making it so.
In my recent Horn Book Magazine article, “Alice, the Transformer” I described my approach to reading Alice’s Adventures in Wonderland to contemporary 4th graders. After finishing the book we always have a tea party and the children do some sort of response to the book. This year I invited the children to write to Lewis Carroll or one of their favorite characters in the book. The results were terrific. You can read a selection of the letters in their entirety here, but to give you a taste here are a few excerpts (frequently done in a font based on Lewis Carroll’s own handwriting and sometimes in purple, an ink color he often used):
My name is N and I am a big fan of yours [the Mad Hatter]. I love to drink tea, my favorite tea is chamomile, and jasmine. My sister and I have tea together almost every day.
Oh Bill [the Lizard], I have read Alice in Wonderland and I liked it a lot. You were my favorite character because I felt so bad for you for all the things the other characters did to you.
I am writing you [Alice] because I was outraged by the way you behaved in Wonderland. One of the ways you behaved badly was by making rude remarks…. You were also physically mean. LIKE WHEN YOU KICKED POOR BILL THE LIZARD UP A CHIMNEY LIKE HE WAS A WORTHLESS ROCK!!!!!!!!! ”
It is an interesting book, and it has a great plot. Except, it is completely unfair to you [the Queen of Hearts]! This is why I am writing. Alice is always being rude to you. She says, “How should I know?” Then, “It’s no business of MINE.” The nerve. Your juries are also lazy and not well educated. In fact, they are stupid. Plus, your executioner never obeys your orders! He refused to execute the Cheshire Cat. Most importantly, the book portrays you as a crazy, evil ruler! You have my sympathies.
Now where have you heard that one before? Harry Potter? Anakin Skywalker? How about….
I am so honored that RIF (Reading is Fundamental) has selected Africa is My Home for their 2015 Multicultural Book list. For it they’ve done this wonderful guide for parent, families, and teachers for the book. Thank you so so much!
Our 2015 Multicultural Book Collection includes 39 children’s books specially selected to encourage children’s interest and learning in a broad range of topics, from science, technology, engineering, arts, and mathematics (STEAM) to history and social studies. The Collection also emphasizes multiculturalism and diversity in its books’ content, characters, authors, and illustrators.
Each book is vetted by children’s literacy experts, and comes with accompanying Common Core-aligned learning resources and activities for parents, teachers, and caregivers to deepen students’ engagement with the texts. The Multicultural Book Collection and its companion activities were an integral part of our landmark Read for Success research study and program model. Learn more about how the Collection can help students stop the summer slide and keep learning throughout the year.